Fall Morning












It’s a project that requires a bit of explanation, but the intent should become clear very quickly. It is a collection of objects, plants and animals that I’ve encountered. And for them, I am supplying a voice (or perspective) with short poems or conversations accompanying each photo.
Empathropomorphic – it’s a compound word that I’ve defined as “the understanding and sensitivity to the feelings and thoughts of objects that have been (or are commonly) defined using human attributes.” It’s created from the combination of empathy and anthropomorphism. The definitions of each individual word are included on the main page of this gallery-style project.
I hope you’ll visit and enjoy empathropomorphic.com and I will hope to hear your feedback!
I thought I would share the perspective that many Chicagoans (and visitors) enjoy during the Air & Water Show weekend. Even if you aren’t at the center of action at North Avenue Beach, you can still enjoy the show from a distance. These photos are from the Museum Campus perspective.

























I went for a walk this evening with the intent of using my Polaroid to capture a typical Chicago scene. And I did – easily accomplished at Cloud Gate in Millennium Park.

After meeting this cute couple, I figured it was time to head home.


But with Lollapalooza in town this weekend, it was hard to ignore the masses. So I walked south on Michigan Avenue to see what things were like from the street during this massive music event.

Sometimes, you have to work the event from the gate.

Many pedicabs to cart attendees around the city.

No ticket? Just listen from afar.









I owe my friend Brian for the tip on this location. It’s a place I will return for more industrial beauty. I definitely have more to explore here!
Also, thanks to Marco, who spent a little time chatting with me!
















There are parts of Chicago that only a few people see. Tourists almost certainly aren’t spending their time looking in hidden places. But if you enjoy the play of light on buildings and architecture, some of the greatest light play I’ve found are in the alleys.















Produced: 1967-1969 / Original Retail: $99.95
Estimated Production: 400,000 – (600,000)
Estimated Current Value (2013): $30 – $50 depending on condition
I have admired this camera for a long time. And for a long time, it sat patiently on my bookcase waiting for me to buy film and a really old battery. Today, the two of us went to Central Camera for some quality time.
Central Camera, founded in 1899, is Chicago’s oldest camera store located at 230 South Wabash Ave. Tim at the film counter helped me find the appropriate film and a simple 4.5v battery so we could see if it would work. He seemed just as excited about the camera as I was and that meant a lot to me.
After he showed me the details about how to load the film, we went outside for a test shot. Compose, focus, ready and snap! Then it’s time to develop. The development process begins after pulling the second of two tabs. (And folks…this is the kind of “InstaGram” that takes at least 30 seconds.)

Here’s what we have:

Not bad for a test shot. Then I began a little adventure in late ’60s technology. Here are some shots from the rest of the afternoon. Thanks to Tim for making my day. Not only for having the battery and film, but for talking me through it and sharing my excitement!


I know it’s not perfectly done, but I like the defects as I learn.


Here is the exciting part:
Another page from the manual:

Some detail:

Produced: 1967-1969 / Original Retail: $99.95
Estimated Production: 400,000 – (600,000)
Estimated Current Value (2013): $30 – $50 depending on condition
Land cameras are instant cameras with self-developing film named after inventor, Edwin Land, and were manufactured by Polaroid between the years of 1947 and 1983.
The process employs a diffusion transfer to move the dyes from the negative to the positive via a reagent. A negative sheet is exposed inside the camera, then is lined up with a positive sheet and squeezed through a set of rollers which spread a reagent between the two layers, creating a developing film sandwich.

Update:
This is Tim! I had to access the negative to pull out some detail because it was (and still is) a little overexposed.


Moondog J is a blues guitarist and vocalist from Australia with a great feel for the style. These photos are from his performance accompanied by drums at Villain’s Bar and Grill in Chicago on Saturday July 21, 2012.
You can catch him for a farewell Chicago performance at Phil McKracken’s in Street Worth, IL on Saturday, August 4. Very nice to meet him and friends at Villain’s! Learn more at www.moondogj.com





















Private pilot, Neil, points out our location as it relates to the terminal area chart

David Clark headset

Lake Zurich

Over McHenry, IL

Thanks, Captain!
I took a different walk to work on July 18, 2012 which allowed me to capture some cumulonimbus clouds approaching from the west. The shot was featured on the WGN Newscast by Tom Skilling during the weather segment.
You can watch this WGN replay thanks to the Internet Archive:
The original photograph of Buckingham Fountain showing great clouds approaching downtown Chicago.

The annual Taste of Chicago took over Grant Park this weekend and this afternoon, I set out to grab some dinner. It was my intent to make my path directly to Lou Malnati’s for a slice of particularly excellent deep dish, but I was distracted just before the entrance.

Not only is Andre a really nice guy, he caught my eye because he was holding a Polaroid 600 SE. This is a fully manual camera that can take absolutely beautiful pictures. The SE comes with a 127mm lens (which Andre is using) but can also be fitted with a portrait (150mm) and wide-angle (75mm) lens.

Andre was visiting Chicago from Detroit and if he (or his buddy!) are reading, I would love to see your beautiful work!
Then I made my way into the festival where food was constantly walking by…with people attached to it.


Crowded, hot, wonderful summer day in Chicago.
I grabbed a slice of Lou Malnati’s just as a light shower passed and saw another photographer setting up in North President’s Court with President Lincoln overlooking.

Jeremy was setting up a project using a medium format camera. If you aren’t familiar, medium format refers to film and digital cameras that record images on media larger than 24 by 36 mm full-frame (standard photography format), but smaller than 4 by 5 inches which is considered large-format photography.

I hope to meet up with Jeremy again to see his finished work. I’m sure President Lincoln will approve.

After my own dinner time, I made my way over to Buckingham Fountain (a favorite spot) and took a photo for this beautiful couple!

And a large family!

Then I obtained one of my favorite things. It’s an Original Rainbow Cone, which is not only beautiful, it’s delicious. It also has a long Chicago history beginning in 1926 and constructed with chocolate, strawberry, Palmer House cherry, pistachio and orange sherbet. Sounds crazy, but the combination is surprisingly delicious.

Size doesn’t matter!

Illinois Lottery ladies having fun!

Officers can smile, too.

It was a great afternoon and I hope to continue meeting Chicago visitors (and photographers)!
“What kind of camera should I buy?”
The answer depends a lot on what type of situations they want to capture. I’ll start by saying I did a lot of my research at Cameralabs.com. Gordon Laing does an impressive job explaining, reviewing and demonstrating various cameras, lenses and concepts.
I usually assume most people aren’t interested in setting up their own home studio – they wouldn’t need to ask for my advice! But maybe they do want to improve action photos at sporting events or vacation photos. Because it ultimately is a conversation about a piece of equipment, we have to talk about expense at some point. And photography (like many interests) can be as expensive as you want to make it. The assumption I hear is usually:
“More money = better photos, right?”
Some people might even assume that anyone with an expensive camera is going to think they are an expert. It is one of the biggest myths in any activity – that better equipment guarantees better performance – and it is a photography myth as well. So I’ll share the camera purchase advice I have obtained – starting with an analogy.
It’s an activity known for expenses (and frustration) and is practiced both by hobbyists and professionals. Let’s say Marv, an avid weekend golfer, decides he wants to improve his game. How do you think he begins? A beginner might think to start with lessons, but Marv has been golfing for years.
“I don’t need lessons, I know how to hit a ball!”

Mistake I’ve made: Assuming current skill level is adequate
Marv visits the pro golf store at his favorite course where he tries a professional set of clubs that Tiger Woods endorses. He loves how they feel, but these are the best and have a huge price tag. So he tries the Jack Nicklaus set which has been around for a long time and has many fans, and he tries a third (and lowest-priced) set that seems only slightly better than what he’s using now.
“If I’m going to spend the money, I might as well get the best I can afford!”
So Marv leaves the store with his new set of Jack Nicklaus golf clubs. He plays the first few rounds and he is very happy. His drives seem longer, putts seem easier…he is elated with his purchase and he feels like a pro. But soon – after the newness wears off a little – he finds himself in the same sand traps again. Eventually, though he still enjoys golf and his new clubs, Marv thinks the only reason he isn’t playing like a pro is that he can’t afford the Tiger Woods clubs.
Even if Marv is naturally talented, a great set of golf clubs isn’t going to solve a problem with his swing or the wrong club choice for getting out of the rough. The new clubs may be beautifully ergonomic and refine his natural strengths, but that doesn’t mean he’s ready for the PGA Tour. It takes a lot of time and work to become a professional golfer – applying for a PGA Tour Card, going through a qualification process, winning events – and that wasn’t Marv’s goal.
Photographers of all ranges go through the same thing. I don’t always have or choose the best lens for a situation. And sometimes a new camera, lens or other accessory makes me feel like a magical photographer for a few days. Then those shots start to look familiar and comfortable.
For some people (myself included) it’s a surprising revelation: start with the basics. For golfers, this could mean taking lessons or getting an analysis of their swing. For photographers, this means refreshing your grasp of composition and design in various ways.
I try not to get caught up in equipment considerations before enhancing and evaluating my basic skills. A photo is great for more reasons than megapixels! For me, I seek inspiration from the world of cinema, fine arts or just taking a walk around the neighborhood in a new direction.
Pick up a book on the elements of design or attend a workshop on the basics of composition. Even if you think you know the basics, a class can help you refresh your strengths and refine the ones that have been ignored.
Marv purchased an expensive set of golf clubs because he assumed that was the best way to improve his game. What I try to remember, is that most pros don’t start out with a professional-level piece of equipment. What separates weekend golfers from the pros (and serious photographers from hobbyists) is commitment to practice and not being afraid to ask for help or to fail sometimes. This is something I continue to work on!
If, like me, you want to improve your photography skills – get back to design basics, really take time to learn how your camera functions (read the manual several times), and most importantly – try new things. If you are passionate about it, this part is easy. Another great tip I received from a photography friend was to get to know my local camera store guys. (Love you, !)
The misconception is that it is or should be easy to take incredible photos, but it takes some time and a little bit of mind-bending.
I didn’t hide my delight with my new camera (Nikon D800), but I did spend a lot of time considering my camera options and evaluating cost with my current skill level. This camera doesn’t make me a better photographer, but it has improved the quality of my prints. As always, it is up to ME to get the shot. I also recently attended a masterclass that expanded my compositional awareness and opened my mind to alternative perspectives.
So if you’re looking for a camera for vacation photos, family, friends and celebrations, you could be served extremely well by many affordable cameras – including the one on your iPhone. Refresh your understanding of the basics, think about your goals and practice. And sometimes, you may want to bring in a professional.