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The New Instant Film: Cell Phone Photos Tell Our Story

August 1, 2013

When I bring my camera to an event, I am expecting to capture shots that describe that place and that moment in time. Those photos definitely mean a lot to me and I enjoy thinking about that event when I review them later. But it is those moments I don’t expect (that I sometimes forget) which really tell the story of my experiences.

In the past, only the most dedicated photo story tellers would have their camera with them to capture the special moments that happen in between the events in life. When digital cameras first became available to the everyday consumer, we started to think differently about photography.

“I can shoot as many photos as I can fit on this card…and it won’t cost me more than the price of batteries!”

I remember this feeling well. Don’t get me wrong, I love film photography and still shoot on both standard 35mm and other hard-to-find formats. But I was thrilled that I had a few more frames to look through that would better describe the mood I was looking for.

(This is also a different discussion than eliminating photo departments at newspapers in favor of journalists with cell phones. I do not agree with that.)

And yes, I do “chimp” a little bit. (Chimping is when you look at your LCD to see how the shot turned out and maybe say “oooh oooh oohh!”) It’s a rare occasion for me as I prefer to get back to the “Lightroom” to see how things worked. But it’s part of the process of verifying my camera settings.

I also remember those first camera phones. Basically a slightly worse version of my digital camera back then. So I would still tote around both. That has completely changed now. My iPhone is always with me and it contains countless small moments that I want to remember.

Those small moments tell the real story of my life experiences.

Even with all of my favorite photos taken intentionally, it is those random pictures of squirrels in the park, bike ride views, funny things I see on the sidewalk, things I want to remember in the store and chance celebrity encounters that really tell my story.

I’d love it if you could share in the comments how you go about using those small camera photo moments – do you post them online? Do you share them with family and friends and then forget about them? Do you backup the photos in a cloud service to use “someday?” Do you print them out and create a scrapbook?

I do all of those things and I’m looking for your ideas!

This gallery is a few of my favorite cell phone story photos:

The Original Rainbow Cone

No, sign, YOU are!
Always fun to see a toilet on the sidewalk

Kodak Brownie Holiday

July 20, 2013

brownie-holiday-2

This beautiful camera was entrusted to my care by a very dear friend and I’m happy to make it part of my camera collection. The next step I want to take is finding some Kodak 127 film and taking eight exposures! I may also decide to dive into my own development processing as well, but that will be a large project.

Kodak Brownie Holiday cameras were manufactured between 1953 and 1962. The date can be further narrowed by knowing the lens. This particular Holiday has a Dakon plastic lens which means it was made between 1955 and 1962. Kodet lenses were used from 1953 to 1955.

The camera uses Kodak 127 film which creates an image size of 1 5/8″ x 2 1/2″ and film would include eight exposures.

A few pages from the Kodak Brownie Instruction Manual

The manual itself would probably help me to actually date it even closer. I would be happy to hear from anyone who could get a smaller year range!

I intend to post images taken from this camera soon.

GoPro Hero 3 Silver

January 27, 2013

After discovering the fun of taking aviation photos and video on my Nikon DSLR, I knew it was only a matter of time before I considered an additional camera to take care of the video so I can focus on detailed shots.

The camera I decided on is the GoPro Hero 3 Silver Edition. In some ways, my delay in purchasing a GoPro benefitted me. The latest Hero 3 models have built-in Wi-Fi for control on phones/tablets and they are smaller and lighter. Another new feature of the Hero 3 editions is that they use Micro SD cards for storage.

The primary concern I have is getting a wide view. The Silver and Black Editions have Ultra-Wide, Medium and Narrow field of view options whereas the least expensive model (White) only offers Medium FOV. That quickly eliminated the White Edition for aviation purposes.

The Black edition’s primary benefit is ultra-high definition recording for resolutions higher than 1080p. White and Silver stop at 1080p (16:9) recording, but Black goes to 1440p, 2.7K Cinema and 4K Cinema. I’m not the kind of videographer that needs that intense resolution (nor do I have the screens that would support it), so I am satisfied by the Silver Edition’s 1080p.

gopro-previewgopro-controlMy favorite feature so far is using the GoPro App on my phone to control the camera and change the settings. This is much quicker than using the two buttons and small screen on the camera to slowly click through the settings. The preview on my phone also makes an LCD add-on for the camera less of a priority for me. I’d take one if I happen to win one of GoPro’s daily “Everything We Make” giveaways though.

This is a video of thirty minutes of flight footage compressed into under two minutes. I hope you enjoy the audio – it’s loud (and funny)!

Polaroid Automatic 230 Land Camera

July 28, 2012

Image of a Polaroid camera and photograph taken
Produced: 1967-1969 / Original Retail: $99.95
Estimated Production: 400,000 – (600,000)
Estimated Current Value (2013): $30 – $50 depending on condition

I have admired this camera for a long time. And for a long time, it sat patiently on my bookcase waiting for me to buy film and a really old battery. Today, the two of us went to Central Camera for some quality time.

Counter at Central Camera in ChicagoCentral Camera, founded in 1899, is Chicago’s oldest camera store located at 230 South Wabash Ave. Tim at the film counter helped me find the appropriate film and a simple 4.5v battery so we could see if it would work. He seemed just as excited about the camera as I was and that meant a lot to me.

After he showed me the details about how to load the film, we went outside for a test shot. Compose, focus, ready and snap! Then it’s time to develop. The development process begins after pulling the second of two tabs. (And folks…this is the kind of “InstaGram” that takes at least 30 seconds.)

Developing polaroid film from instruction booklet

Here’s what we have:

poloroid in black and white of a store sign named Central Camera

Not bad for a test shot. Then I began a little adventure in late ’60s technology. Here are some shots from the rest of the afternoon. Thanks to Tim for making my day. Not only for having the battery and film, but for talking me through it and sharing my excitement!

Musician playing saxophone along sidewalk in Chicago

Image of large fountain in Chicago
I know it’s not perfectly done, but I like the defects as I learn.

Chicago Art Institute black and white polaroid

Poloroid black and white image of a family walking through Millenium Park in Chicago

Here is the exciting part:

Another page from the manual:
How to guide from Poloroid instruction manual

Some detail:
Detailed view of a Polaroid lens

Produced: 1967-1969 / Original Retail: $99.95
Estimated Production: 400,000 – (600,000)
Estimated Current Value (2013): $30 – $50 depending on condition

Land cameras are instant cameras with self-developing film named after inventor, Edwin Land, and were manufactured by Polaroid between the years of 1947 and 1983.

The process employs a diffusion transfer to move the dyes from the negative to the positive via a reagent. A negative sheet is exposed inside the camera, then is lined up with a positive sheet and squeezed through a set of rollers which spread a reagent between the two layers, creating a developing film sandwich.

Polaroid 230 developing rollers

Update:
This is Tim! I had to access the negative to pull out some detail because it was (and still is) a little overexposed.

Black and white Poloaroid of employee named Tim from Central Camera in Chicago

Taste of Chicagography

July 14, 2012

The annual Taste of Chicago took over Grant Park this weekend and this afternoon, I set out to grab some dinner. It was my intent to make my path directly to Lou Malnati’s for a slice of particularly excellent deep dish, but I was distracted just before the entrance.

Meet Andre

Not only is Andre a really nice guy, he caught my eye because he was holding a Polaroid 600 SE. This is a fully manual camera that can take absolutely beautiful pictures. The SE comes with a 127mm lens (which Andre is using) but can also be fitted with a portrait (150mm) and wide-angle (75mm) lens.

Andre was visiting Chicago from Detroit and if he (or his buddy!) are reading, I would love to see your beautiful work!

Then I made my way into the festival where food was constantly walking by…with people attached to it.

Crowded, hot, wonderful summer day in Chicago.

I grabbed a slice of Lou Malnati’s just as a light shower passed and saw another photographer setting up in North President’s Court with President Lincoln overlooking.

Meet Jeremy

Jeremy was setting up a project using a medium format camera. If you aren’t familiar, medium format refers to film and digital cameras that record images on media larger than 24 by 36 mm full-frame (standard photography format), but smaller than 4 by 5 inches which is considered large-format photography.

I hope to meet up with Jeremy again to see his finished work. I’m sure President Lincoln will approve.

After my own dinner time, I made my way over to Buckingham Fountain (a favorite spot) and took a photo for this beautiful couple!

And a large family!

Then I obtained one of my favorite things. It’s an Original Rainbow Cone, which is not only beautiful, it’s delicious. It also has a long Chicago history beginning in 1926 and constructed with chocolate, strawberry, Palmer House cherry, pistachio and orange sherbet. Sounds crazy, but the combination is surprisingly delicious.

Size doesn’t matter!

Illinois Lottery ladies having fun!

Officers can smile, too.

It was a great afternoon and I hope to continue meeting Chicago visitors (and photographers)!

The Myth of the Miracle Camera

July 13, 2012

It is a question I’m often asked during conversations with friends and strangers:

“What kind of camera should I buy?”

The answer depends a lot on what type of situations they want to capture. I’ll start by saying I did a lot of my research at Cameralabs.com. Gordon Laing does an impressive job explaining, reviewing and demonstrating various cameras, lenses and concepts.

I usually assume most people aren’t interested in setting up their own home studio – they wouldn’t need to ask for my advice! But maybe they do want to improve action photos at sporting events or vacation photos. Because it ultimately is a conversation about a piece of equipment, we have to talk about expense at some point. And photography (like many interests) can be as expensive as you want to make it. The assumption I hear is usually:

“More money = better photos, right?”

Some people might even assume that anyone with an expensive camera is going to think they are an expert. It is one of the biggest myths in any activity – that better equipment guarantees better performance – and it is a photography myth as well. So I’ll share the camera purchase advice I have obtained – starting with an analogy.

The Golfer

It’s an activity known for expenses (and frustration) and is practiced both by hobbyists and professionals. Let’s say Marv, an avid weekend golfer, decides he wants to improve his game. How do you think he begins? A beginner might think to start with lessons, but Marv has been golfing for years.

“I don’t need lessons, I know how to hit a ball!”


Mistake I’ve made: Assuming current skill level is adequate

Marv visits the pro golf store at his favorite course where he tries a professional set of clubs that Tiger Woods endorses. He loves how they feel, but these are the best and have a huge price tag. So he tries the Jack Nicklaus set which has been around for a long time and has many fans, and he tries a third (and lowest-priced) set that seems only slightly better than what he’s using now.

“If I’m going to spend the money, I might as well get the best I can afford!”

So Marv leaves the store with his new set of Jack Nicklaus golf clubs. He plays the first few rounds and he is very happy. His drives seem longer, putts seem easier…he is elated with his purchase and he feels like a pro. But soon – after the newness wears off a little – he finds himself in the same sand traps again. Eventually, though he still enjoys golf and his new clubs, Marv thinks the only reason he isn’t playing like a pro is that he can’t afford the Tiger Woods clubs.

Even if Marv is naturally talented, a great set of golf clubs isn’t going to solve a problem with his swing or the wrong club choice for getting out of the rough. The new clubs may be beautifully ergonomic and refine his natural strengths, but that doesn’t mean he’s ready for the PGA Tour. It takes a lot of time and work to become a professional golfer – applying for a PGA Tour Card, going through a qualification process, winning events – and that wasn’t Marv’s goal.

Photographers of all ranges go through the same thing. I don’t always have or choose the best lens for a situation. And sometimes a new camera, lens or other accessory makes me feel like a magical photographer for a few days. Then those shots start to look familiar and comfortable.

The Real Value

For some people (myself included) it’s a surprising revelation: start with the basics. For golfers, this could mean taking lessons or getting an analysis of their swing. For photographers, this means refreshing your grasp of composition and design in various ways.

I try not to get caught up in equipment considerations before enhancing and evaluating my basic skills. A photo is great for more reasons than megapixels! For me, I seek inspiration from the world of cinema, fine arts or just taking a walk around the neighborhood in a new direction.

Pick up a book on the elements of design or attend a workshop on the basics of composition. Even if you think you know the basics, a class can help you refresh your strengths and refine the ones that have been ignored.

Think about Goals

Marv purchased an expensive set of golf clubs because he assumed that was the best way to improve his game. What I try to remember, is that most pros don’t start out with a professional-level piece of equipment. What separates weekend golfers from the pros (and serious photographers from hobbyists) is commitment to practice and not being afraid to ask for help or to fail sometimes. This is something I continue to work on!

If, like me, you want to improve your photography skills – get back to design basics, really take time to learn how your camera functions (read the manual several times), and most importantly – try new things. If you are passionate about it, this part is easy. Another great tip I received from a photography friend was to get to know my local camera store guys. (Love you, !)

The misconception is that it is or should be easy to take incredible photos, but it takes some time and a little bit of mind-bending.

Make a Purchase

I didn’t hide my delight with my new camera (Nikon D800), but I did spend a lot of time considering my camera options and evaluating cost with my current skill level. This camera doesn’t make me a better photographer, but it has improved the quality of my prints. As always, it is up to ME to get the shot. I also recently attended a masterclass that expanded my compositional awareness and opened my mind to alternative perspectives.

So if you’re looking for a camera for vacation photos, family, friends and celebrations, you could be served extremely well by many affordable cameras – including the one on your iPhone. Refresh your understanding of the basics, think about your goals and practice. And sometimes, you may want to bring in a professional.

Nikon D800

March 28, 2012

Last night, the UPS man delivered my new camera – a Nikon D800. After unpacking and taking the obligatory “photo of the new camera using the old camera,” I immediately began exploring the menus and taking test shots. With the exception of the auto-focus illumination lights being on, most things were set as if they had me in mind.

First shots were with a 50mm f/1.8 Nikkor lens, which felt more like a 70mm on my prior DSLR body with a DX sensor. I am so happy that I chose to spend the extra money (and time waiting) for the D800 instead of settling for the D7000. Though the D7000 is a very nice camera, it isn’t full-frame. I have missed full frame advantages since I started shooting with a DSLR in 2006.

Some additional shots of the D800 with my phone camera:
Nikon D800

Nikon D800 screen

I am extremely impressed with this camera. I am sure that others can and will find defects, but it is such a giant leap in quality for me that I am less likely to notice any problems quickly. On the walk to work this morning, I took a few shots to get an idea of the resolution possibilities.

Here’s a shot to see resolution detail.
The full photo:
Spring bird full image

The actual pixels:
Spring bird

To me…this is amazing. I am excited to start shooting in even greater detail and even begin experimenting with HD video. I was scared at first to make such a large investment in a camera that I couldn’t even handle physically in a store, but so far this appears to be not just a great investment, but a source of so much fun for me.

A few antiques

December 26, 2010

Thager
Thager

Etalon Compact light meter
Etalon Compact light meter – Chuo Electronic Co.

Laack Regulyt lens
Advertised in a 1936 magazine “Laack Regulyt f/4.5 lens, New Vario shutter, 25, 50, 100, B, T speeds (¥55)